ACH OCTOBER DJ GIGS

Sat, Oct 02, LIFE, ART, VIENNA (Oleg Soulimenko)
brut Künstlerhaus/Vienna, 9 PM
Linke Wienzeile 22, 1060 Wien

Short performances and music by: Magdalena Chowaniec, Deborah Hazle, David Ender+Jack Hauser+Sabine Holzer, Jan Machacek, Anna MacRae, Agata Maszkiewicz, Frans Poelstra & Robert Stein, Nici Rutrech, Silke SILK Grabinger & Fabian Rucker (gracker’s), Mausi-Höslinger-BigBänd (Keep On Swinging), Valya Blanche (New-Old Songs), DJ Alexander Ach Schuh, DJ Rakita, DJ Vanille Putin, VJ Mirniy Atom and other friends. Facebook, Brut

Fri, Oct 08, ESPRESSO SABROSO
with Karl Boutros Boutros Bruckschwaiger
Espresso/Vienna, 9PM-2AM
Burggasse 57, 1070 Wien

Sat, Oct 09, VIENNA DESIGN WEEK ’10 LOUNGE
Cafe Drechsler/Vienna, 7-10 PM
Cafe Drechsler: Linke Wienzeile 22, 1060 Wien

VIENNA DESIGN WEEK Lounge, Fri 1–Sun 10

OTHER PLACES AUFBRUCH IN DIE NÄHE

CALIENTE 64

CARMEN, NENE & CHANO …… SEPTEMBER 25, 2010, 98.3 superfly.fm, 4-6 PM CET … Selected and presented by Alexander Ach Schuh Listen now on play.fm

Jazz ist Euphorie auf hohem Niveau. Alexander Ach Schuh tanzt es vor … und irrt, wenn er sagt, dies wäre die  63 Ausgabe: Es ist die 64, live mit Yona Schuh, der einige Sätze zur Orientierung spricht und dem späten Gast, Karl Bruckschwaiger, die Tür öffnet. Dieser bringt Dokumente afro-karibischer Transfer- und Austauchleistungen, zB. Amadou Balake in New York ….

4-5 PM

(1) Sabu Martinez and his jazz-espagnol; I REMEMBER CARMEN (Louie Ramirez); from: Sabu’s Jazz Espagnol, Alegre 802

(2) Mongo Santamaria and Orchestra; PACHANGA TWIST (Santamaria); from: Viva Mongo!, Fantasy 8087

(3) Bobby Montez Quintet; AFRICAN FANTASY (Bobby Montez); from: Jungle Fantastique, Jubilee JGM 1085

(4) Jam Session Goes Latino; MIAMI LATIN BEAT (); from: Jam Session Goes Latino featuring Al Grey (trombone), Isauro (conga drums); Wallace Davenport (trumpet), Wyatt Ruther (bass), Rufus Jones (drums), Bobby Platter (sax), Noahwell Cruz (piano)

(5) Jack Costanzo; CUMBACHERO (R. Hernandez); freom: Latin Fever, Liberty LRP 3093

(6) Clare Fischer Orchestra; AFRO-BLUE (M. Santamaria); from: Manteca!, Pacific Jazz

(7) Afro Blues Quintet Plus One; FREAKS (Mirwood-Jadale); from: New Directions, Mira

(8) Joe Quijano y su orquesta; YA LLEGA LA PACHANGA (J. Quijano); from: La Pachanga Se Baila Asi, CBS

(9) Vladimir and his orchestra; MI SON CHA; (03:45 min) from: New Sound In Latin Jazz, Alegre 854

(10) Mauricio Smith; HOT PEPPERS (J. Cain); from: Bitter Acid, Mainstream

(11) Pucho and the Latin Soul Brothers; GEORGIEA ON MY MIND (); (03:50 min) from: Heat!, Prestige 7572, 1968

(12) Joe Loco; RUNNIN’ SIX (SEIS CHORREAO) (Jualian Andino); from: Puerto Rico ’68, Sunset SUS-5219

(13) Sir Lazerus; MAJICA TARDE; (02:57 min) from: El Watusi, Colon-United 6305

(14) Marius Cultier; GUANAVACO; (02:54 min) from: Marius Cultier A La Place Des Arts, Trans-World Canada TWF 9010 (recorded 1970), reissue: Calypsosoul 70, Caribbean Soul & Calypso Crossover 1969-1979, Strut 2008

(14) Malo; TIEMPO DE RECORDAR (Pablo Tellez); from: Ascención, Warner 1974

(15) Seguida; AFRO-RICAN SUITE PT.1

(16) Massada; NENA; (08:37 min) 1977, reissue: Jazz Bizzniz 2, Counterpoint, 2000

5-6 PM

(17) Mario Bauzá and the Afro-Cuban Jazz Orchestra, vocals: Rudy Calzado;CHANO (Cascaser, Joe Santiago; (06:23 min) from: 994 Columbus, (recorded May 27th and 28th, 1993), Messidor 1994

(18) Bebo Valdés; PAN CON TIMBA (Bebo Valdés); (06:57 min) from: Bebo Rides Again, Messidor 1995

(19) Paquito D’Rivera presents 40 Years of Cuban Jam Session; DESCARGA ’93 (Israel Cachao López); (06:47 min) from: Paquito D’Rivera presents 40 Years of Cuban Jam Session, Messidor 1993

(20) Miguel Angá, canta: Moises Valle “Yumuri”; LA CLAVE DE LOS PRIMEROS (Galicio A. Aday Romeu “Chachi”); from: The Cuban All-Stars – Pasaporte, Tata Güines meets Angá; (recorded 1994) Enja 1995

(21) Orchestre T. P. Poly-Rythmus de Cotnou, SEMASSA (ZERO + ZERO) (Papillon); from: Special 80 Vol. 1, Sodogil

(22) Amadou Balake; LIGIDA RANBA; from: Amadou Balake A New York, Sacodis LS22

(23) Orchestre Poly-Rythmo de Contonou-Benin; TROP PARLER C’EST MALADIE; Albarika 058

(24) Sweet Talks; MAMPAM SUKURUWE (A.B. Crentsil); Ghana 1973, reissue: The Kusum Beat, Soundway 2010

PARTY AT THE ESPRESSO

Ich freue mich auf feines Fest, diesen Samstag, 25. September im ESPRESSO, ab 21 Uhr, Burggasse 57, Wien 7 … Gemeinsam mit Karl “Boutros Boutros” Bruckschwaiger bringe ich 50-70s LATIN-SOUL und AFRO-BEAT … Das ESPRESSO ist das Lokal des Latin-Soul in Wien!

WAITING FOR THE MOMENT

Alexander Ach Schuh’s ausweichender Nachmittag … ICH BIN EIN GANZ NORMALER TAG, SUNDAY, SEPTEMBER 19, 2010, ORGANGE 94.0, 2-3 PM CET

(1) Charles Lloyd; BIZARRE (Charles Lloyd); from: Bizarre, CBS, recorded 1963
Charles Lloyd (ten Sax), Don Friedman (piano), Eddie Khan (bass), Roy Haynes (drums), Richard Davis (bass)

(2) Charles Lloyd; GYPSY ’66 (Gabor Szabor); from: The Flowering of the Original Charles Lloyd Quartet, Recorded in Concert, Atlantic 40196 (1971)
Charles Lloyd (flute), Keith Jarrett (piano), Cecil McBee (bass), Jack DeJohnette (drums)

(3) McCoy Tyner; PERSINA (M. Tyner); from: Expansions, Liberty/Applause (1970)
Woddy Shaw (trumpet), Gery Bartz (alto sax), Wayne Shorter (ten sax), Ron Carter (cello), McTyner (piano), Herbie Lewis (bass), Freddie Waits (drums)

(4) John Coltrane; BAHIA (Ary Barroso); from: Bahia, Prestige 7353 (1964)
John Coltrane (ten sax), Greg Garland (piano), Paul Chambers (bass), Art Tayler (drums)

(5) Art Blakey and The Jazz Messengers; LOVE – FOR THE ONE YOU CAN’T HAVE (Woody Shaw); from: Anthenagin, Prestige 10076 (1973)
Art Blakey (drums), Woody Shaw (trumpet), Carter Jefferson (tenor sax), Cedar Walton (piano), Micey Bass (bass), Tony waters (conga), Steve Turly (trombone)

(6) Jimmy Heath; HANDS UP! FEET DOWN! (J. Heath); from: Love and Understanding, Muse Records 5028 (1973)

(7) Richard Davis, Eddie Henderson, Joe Henderson, Stanley Cowell, Bill Cobham; SIENNA: WAIING FOR THE MOMENT (S. Cowell); from: Way Out West, recorded 1977, MuseRecords 5180 (1980)
Richard Davis (bass), Eddie Henderson (trumpet), Joe Henderson (ten sax), Stanley Cowell (piano + fender rhodes), Billy Cobham (drums)

(8) Richard Davis; OH MY GOD (Nadi Koma); from: the Philosophy of the Spiritual, Cobblestone Records 9003
Richard Davis (bass), Chick Corea (piano), Sam Brown (guitar), Bill Lee (bass), Sonny Brown (drums), Frankie Dunlup (percussion)

WAS DARF ICH BITTEN?

Braucht es einen guten Grund, um zu Tanzen? Oder ist Tanzen selbst Grund genug für eine Gesellschaft?

Auf der Suche nach dem, was das alles zusammenhält, versuche ich zuerst eine Wendung hin zu dem, was Sache ist, und frage: Was darf ich bitten?

Das Glück des einen mag vielleicht nur durch das Glück des anderen gelingen. Was darf ich also bitten, was kann ich vortanzen, was muss ich voraussetzen?

Die Wendung hin zu dem, was Sache ist, vollzieht den Body Turn. Und wenn das Soziale immer schon körperlich vermittelt ist, und das, was Pierre Bourdieu Habitus nannte (die Struktur unseres Fühlens, Denkens, Klassifizierens) immer auch ein Urteilen ist, wenden wir die Sache weiter und sagen: Tanzen ist nicht urteilen.

Aber andererseites gehen wir vollständig darin auf, die Tanzenden zu beobachten. Wir lieben es jenen zu zuschauen, die ihre Sache gut machen, ob sie nun Tanzen können oder nicht. Können wir für dieses befangen sein im Urteil, das schaut, mit diesem Zustand des vor das Urteil der anderen geratens der Tanzenden eine Sprache finden, die beschreibar macht, was passiert?

2 OR 3 THINGS, WE´VE LEARNED

Intersections of Art, Pedagogy and Protest

Galerie IG Bildende Kunst Vienna, Austria
15th Sept. – 29th Oct. 2010
Opening: Tue, Sept 14, 7pm
curated by Eva Egermann & Elke Krasny

Participating artists and theorists:
Ivana Bago, Madeleine Bernstorff, Sabine Bitter/Helmut Weber, Büro für fremde Angelegenheiten, Copenhagen Free University, Marijan Crtali’c, Marthe Van Dessel, Petja Dimitrova, Dolce & Afghaner, Rainer Ganahl, H.arta Group, Heidrun Holzfeind, Annette Krauss, Kollektive Involviertheiten, Adriana Monti und Paola Melchiori, Schwere Schwestern und Vipfek, Sofía Olascoaga, rum46, Katharina Struber, Cecilia Wendt

Documents:
Art Work, Between Art & Education (Martina Greimel, Katharina Kanzian, Sophie Landerl, Marc-Michael Moser, Katharina Petru, Anna Maria Schähle, Rainer Spangl), Free Class Frankfurt, Rosa Kerosene, Manoa Free University, Meine Akademie, Reformpause (Marion von Osten in Zusammenarbeit mit Studierenden der Universität Lüneburg), School for Non-productive learning und andere

Spatial Interventionen/Exhibition: Nanna Neudeck/Titusz Tarnai
Spatial Interventionen/Collection: Julia Wieger

Eruption and displaced learning activity. The moment of protest also raises the issue of its effect in the future. How can another duration be created from out of the intensity of politicization, collectivity, debate and counter-reality? What role do relations that are being re-thought at the interface of artistic production, critical pedagogy and protest movements play?

Processes, shifts and interventions (through art in education) become subjects. The exhibition space will become a site where actors, processes, workshops & conversations, as well as photographs, videos, objects, and artefacts encounter one another, assemble. Art works confront the contradictions in the debates. On the one hand this will open up space for confrontation and on the other it will create an archive which documents the artistic projects and the processes of educational critique. Creating other forms and exploring the language of possibilities in the interstices of the hegemonic order. A few things will be learned.

Eruption und ver-rückte (verkehrte) Lerntätigkeit. Im Moment des Protests stellt sich die Frage nach dessen Wirkung in die Zukunft. Wie kann aus der Intensität von Politisierung, Kollektivität, Debatte und Gegen-Realität eine andere Dauer erzeugt werden? Welche Rolle spielen die Verhältnisse, die an den Schnittstellen von künstlerischer Produktion, kritischer Pädagogik und Protestbewegungen neu gedacht werden.

In der Ausstellung „2 or 3 Things we ́ve learned“ wird ein kollektiver Raum solcher Angelegenheiten und Begegnungen erzeugt. Prozesse, Verschiebungen und Interventionen (durch Kunst in Bildung) werden zum Thema gemacht. Der Ausstellungsraum wird zum Ort, an dem Objekte, Artefakte, Photographien, Videos, Prozesse, Workshops & Gespräche einander treffen, sich versammeln. Künstlerisches Arbeiten und Objekte treffen die Widersprüche der Debatten. So soll einerseits Raum zur Auseinandersetzung geöffnet werden, als auch ein Archiv angelegt werden, welches künstlerische Projekte und Prozesse der Bildungskritik versammelt und dokumentiert. Aus den Zwischenräumen der hegemonialen Ordnung anderer Formen bilden und die Sprache der Möglichkeiten erforschen. Einige Dinge wurden gelernt.

***

EVENTS:
* Sept 16, 6pm: Show and Tell Evening, hosted by Bollwerk
* Sept 23, 7pm: Raumnacht 1
* Sept 24, 7pm: Raumnacht 2
hosted by Nanna Neudeck/Titusz Tarnai (suedosttangente.org);
*Okt 14, 7pm: Screening with Madeleine Bernstorff,
En Rachâchant (F, 1982 Danièle Huillet/ Jean-Marie Straub)
* Okt,15 and 16, 2 to 6pm: A Take on Queer-Feminist Positions of Power,
Workshop hosted by Kollektive Involviertheiten

* Okt, 21 to 23: Space RE:solutions.
International conference, hosted by the Visual Culture Unit, TU Vienna
Info: www.kunst.tuwien.ac.at/conference.htm

* Okt, 28, from 9pm: TREAT ME RIGHT! Party. Performance
im Marea Alta, Gumpendorferstr. 28,
hosted by Kollektive Involviertheiten, Schwere Schwestern and Vipfek, Büro für fremde Angelegenheiten.

Info: http://www.igbildendekunst.at/kunst/ausstellungen-2010/2-or-3-things.htm

Öffnungszeiten Di bis Fr 13 bis 18 Uhr
Galerie IG Bildende Kunst
Gumpendorfer Straße 10–12, 1060 Wien
www.igbildendekunst.at

CALIENTE 63

STERNENSTAUB, URSPRÜNGLICHER UND PROZESSIERTER …… SEPTEMBER 11, 2010, 98.3 superfly.fm, 4-6 PM CET … Selected and presented by Alexander Ach Schuh Listen now on play.fm

Das Problem mit der „Mitwirkungspflicht” ist doch, wenn man ein Held ist, hat man es schwer, das noch zu genießen. Oder wie Christian Stangl sagte: „Ich war wie in Trance. Ich dachte, ich wäre am höchsten Punkt.” (Der Standard, 8. Sept 2010) … Alexander Ach Schuhs Radio Show Caliente nähert sich maßvoll an den Problemkomplex Berührungsarmut und Ich-Schwelle …

4-5 PM

(1) Francisco Canaro; MADRESELVA; Odeon 4779A (1932), reissue on: Lo Mejor Del Tango, Vol. 4, EMI-77

(2) Barbarito Diez con Orquesta de Antonio Maria Rameu; VEINTE AÑOS (Maria Teresa Vera); from: Asi Bailaba Cuba Vol. 10, Panart 7030

(3) Arcaño y sus Maravillas; MAMBO (Orestes Lopez); danzón 1938, reissue from: Danzón Mambo, RCA (1974) Colorao (Aliseo Martinez) on conga drums: First time a conga drum was used in a typical Cuban Charanga orchestra.

(4) The Havana Cuban Boys, conducted by Armando Orefiche; EN LA PLATACION (Orefiche); from: 10″ Decca LF1083

(5) Juan D’Arienzo y su orquesta tipica; RAWSON (Eduardo Arolas); tango 1939, reissue from: Evocando el Ayer, RCA

(6) Machito Afro-Cuban Jazz; CANCION (Chico O’Farrill); from: Afro-Cuban Jazz – The Music of Chico O’Farrill, Clef Records MG C-689

(7) Pérez Prado; PIANOLO (Prado); from: Pérez Prado plays Mucho Mambo for daning, 10″ RCA LPM21

(8) Arsenio Rodriguez y su conjunto; YAMBÚ (A. Rodriguez); from: Ansonia, ALP 1337

(9) Taboo; ARABINI; from: Taboo, Omega Sterephonic

(7) Tito Puente and his orchestra; RAN KAN KAN (T. Puente); from: Mambo’s, 10″ Tico 131

(8) Royale Latin Orchestra; BING BANG MAMBO (); from: Mambo, 10″ Royale 1884

(9) Ruth Fernandez with Obdulio Morales and his Native Cuban Orchestra and Chorus; MACONGO (Morales); from: Ñañigo (The Soul of the Afro-Cuban Music), Montilla FM54

(10) Orquesta Casino de la Playa, canta Carlos Diaz; LA NEGRA LEONÓ (Antonio Fernandez); from: Rucuerdos de la Habana, Panart LP-3067

(11) Orquesta Riverside, canta: Tito Gomez; TU CAMPANA NO TIENE BADAJO; from: Ecos de Cuba, 10″ Ceeco SLP18

(12) Celia Cruz con la Sonora Matancera; SANDUNGUEATE (Senén Suárez); from: Canta Celia Cruz, Seeco SCLP 9067

(13) Alberto Beltran con la Sonora Matancera; AUNQUE ME CUESTE LA VIDA (Luis Kalaff); from: El disco de oro, Tropical TRLP 5103

(14) Don Barreto et ses Cuban Boys; LA CONGA DE JARUGA (Pardave); from: Vive La Rumba, Disques Vogue LD285

5-6 PM

(15) Joe Cuba & Orchestra; SOY PILONGO (R. Darias); from: I Tried To Dance All Night, Mardi-Gras 5017

(16) Roberto Seto; CANTO DE LA MADRE (Seto); guaracha plana from: Typiquement Twist, Disque Vogue STE 33-44015-30

(17) Roberto Seto; MOLIENDO CAFE (Manzo – Salvet); guaracha plana from: Typiquement Twist, Disque Vogue STE 33-44015-30

(18) Luis Verona; OYE CANUTO (Oresia Madraso); from: Cha-Cha-Cha at The Eden Roc, Gone Latin GL7003

(19) Darias and his orchestra; BUCHE Y PLUMA NA’ MA (Rafael Hernandez); from: Paratodos For Everbody

(20) Frank Hernandez y su orquesta; A SUNY RAY; reissue: Dejavu Rec

(21) El Caballo y su orquesta; MAMBO JAY; from: Vamos a bailar, Discos Corona, DCL 2038

(22) La Playa Sextet; MAMBO CHA CHA; Embajador Discos 6004

(23) Gil Suarez y sus Hi Latins; MUCHO VIBES (Suarez); Starbright Records 991

(24) Joe Panama; VIDA (Joe Panam); from: Exposive Side of Joe Panama, Decca 74890

(25) Coco Lagos y sus orates; RECUERDAME; from: Ritmo Caliente Vol 2, Mag 2338

(26) Landy Nova; SIEMPRE PALANTE; from: De Ahora, Palante, Inca 1036 (1974)

(27) Orquesta Flamboyan con Frank Dante; NO QUE QUIERO ES GOZAR; from: Dirrerent Directions, Cotique 1052

(28) La Conspiracion; JICOTEA; from: La Conspiracion, Vaya V4

(29) Chivirico Davila y su orquesta; WUE MALA ES LA HUMANIDAD (Ralph Davila); from: Chivirico … de nuevo, Cotique 1066

(30) Ocho; MAMEY COLORAO; from: Tornado

(31) Bobby Rodriguez y la compania; SIETE MUJERES; from:Latin from Manhattan, Vaya (1978)

(32) Baby Gonzalez con la orquesta riviera; AMALIA’S BEMBE (Chico Alvarez); from: Concinando Salsa, Cotique (1975)

CALIENTE 62

MAMBOLITIS, MAZAMORRA & CHIQUICHACA …… SEPTEMBER 4, 2010, 98.3 superfly.fm, 4-6 PM CET … Selected and presented by Alexander Ach Schuh Listen now on play.fm

Dieses Leben ist eine Sackgasse. CALIENTE entschleunigt basisdemokratisch, damit wir nicht so schnell an der Wand picken: Die gesellschaftlich attraktivste Bremse gegen das große und kleine “Voran! Voran!” ist das Tanzen. Alexander Ach Schuh bringt in zwei Stunden siebzig Jahre Latin-Soul …

(0) Yusa; CANDAO CERRAO; from: Gilles Peterson presents Havana Cultura (2009)

4-5 PM

(1) Ramon Marquez and his Orchestra; MAMBOLITIS (R. Marquez); from: A Dance Date In Mamboland, 10″ Fiesta FLP 33001

(2) Benny Bennett’s Orchestra; PORQUE NEGRO SOY (Ajrelli – Kenn); from: Mambol andia Vol.1 Benny Bennett’s Orchestra (Recorded in France), 10″ SMC Pro-Arte (SPANISH MUSIC CENTER) SMC-539

(3) Ralph Font and his Orchestra; LA BODEGA DEL NATO (Font); from: Gesänge und Tänze aus Lateinamerika, BIEM

(4) Rene Touzet and his Orchestra; AGUA PA MI (Servia); from: Mambos and Cha-Chas, 10″ MGM Records E264

(5) Tito Puente and his Orchestra, vocal refrain by Vicentico Valdés; ¿DONDE ESTABAS TU? (Ernesto Duarte Brito); from: Mambo On Broadway, 10″ RCA LPM3164

(6) The Bop-A-Loos; CUBAN CARNIVAL (); from: Pops In Mambo, 10″ Mercury MG25212 (1955)

(7) Eddie Warner et sa musique tropicale; EL SUBY (Perez Prado); 10″ Odeon OS1084

(8) Orquesta Rey Diaz Calvet; MULATA LINDA; from: Goza Mi Son Monutno, Panart LP-2051

(9) Beny Moré y la Banda Gigante; BARBARO DEL RITMO (B. Moré – R. de Paz); from: Gran Serie Beny Moré Sonero Mayor

(10) Les Chakachas; MA-MA-DU (Calzado); from: Grand Prix 1959 Acaemie Charles Cros, categorie “danse”, 10″ RCA 130.259S

(11) Conjunto La Pachanga De Cuba; HUMO (Renato Carlos W.); from: Cubita La Bella, CoRo Discos CLP-810

(12) Joe Cuba and his Orchestra; JOE CUBA’S MAMBO; from: I Tried To Dance All Night, Mardi Gras LP-5017

(13) Machito and his Afro-Cubans; PARA LAS NENAS (Rene Hernandez); from: The New Sound Of Machito, Tico 1084 (1962)

(14) Ben sa tumba et son orchestre; COCO SECO (Luis Reyes); 10″ Barclay 82170

(15) Willie Bobo; FELICIDAD; from: Juicy, Verve V6-8685

(16) Lupo es Fantastico; BOOGALOOPO (); from: Lupe El Fantastico, Cotique 1028

(17) Manny Burgos and his Orchestra; EL BOCHINCHERO (Jose Toledo Jr.); from: AQUI ESTOY YO!, Alegre SLP 8680

(18) Ricardo Ray Y Bobby Cruz; 3 AND 1 MOZAMBIQUE (R. Ray – B. Cruz); from: Jala Jala Y Boogaloo, Alegre (1967)

5-6 PM

(19) Roberto Roena y su Apollo Sound III; TE VAS A ACORDAR DE MI (Benjamin Muniz); Fania 413 (1971)

(20) Jimmy Sabater; PARA GOZAR BELEN (A. Rodriguez); from: Recordando A Arsenio, Tico1231

(21) Orquesta Inernational, vocals: Tito Rojas; MIMA LA PULULERA (Ivan Ortiz); from: Mima La Pululera, Mavi Records (1974)

(22) Andreas Landero y su conjunto; CUMBIA EN LA INDIA; from: A Orillas Del Magdalena, Coastal Cumbias From Colombia’s Discos Fuentes, Donmino Sound 024

(23) Los Kenya, canta: Carlos Rodriguez; OPUS “120″ (R. Perez); from: Ray Perez Siempre Afro-Latino, PyraPhon 3353

(24) Sonora Lucho Macedo; MACEDO’S BOOGALOO; from: Atardecer Tropical, Virrey/Fuentes

(25) Grupo Los Caneyes; OYE OYEA; 7″ Areito EPA-6335, reisue on compilation: Revolucion! Original Cuban Funk Grooves 1967-1978, compiled by Tom Wieland (7 Samurai, PanOptikum), Freestyle (2009)

liner notes: “An early outfit of trombone player Juan Pablo Torres. In 1971 the band launched the popular CHIQUICHACA RHYTHM. From the mid sixties until the early seventies Cuban music had a lot of short-lived fashion dance styles, e.g. the pa’ca, the mozambique, the pilon, the pachanga, ghe guachipupa or the chiquichaka. Background for this wave of short-lived styles and one hit wonders was the economic and cultural isolation of Cuba: music composers were simply searching for new ways to express themselves in an isolated music market whose futere was insecure. Usually these experimental new rhythm styles were bound to their respective author … in this particular case to Juan Pablo Torres who later did a whole album dedicated to the chiquichaka rhythm under the name of LOS CHIQUICHAKA that only was released as Palma issue (the Egrem esport lable in the sixties) in Uruguay.”

(26) Orchestre Poly-Rythmo de Cotonou; NOU DE MA DO VO; from: “The Vodoun Effect” 1972-1975) Funk & Sato from Benin’s Obscure Lables, Analog Africa AALP064 (2009)

(27) Manu Dibango; TOM TOM (Manu Dibango); from: Makossa Man, recorded 1975, Disque Festival reissue (1983)

(28) Grupo Afro Cuba Havanna; MAZAMORRA (Jose Carlos Acosta); Egrem (1979), Pläne (1980)

(29) Latin Jazz Ensemble; AFRO MOOD (Eddie Martinez – Sal Cuevas); from: Just Like Magic, Latin Percussion Ventures (1979)

(30) CTI Allstars, vocals Flora Purim; WAMBA (Salif Keita); from: Rhythmstick, produced by Creed Tayler, CTI Records (1990)

(Marvin Smith (drums), Anthony Jackson (bass), John Scofield (guitar), Airto (perc.), Tito Puente (perc.), Phil Woods (alto sax), Bob Berg (tenor sax), Jim Beard (synthesizer), Art Farmer (trumpet), Dizzy Gillespie (trumpet), Jon Faddis (trumpet), Randy Brecker (trumpet)

(31) Mulatu Astatke with the Either/Orchestra; GREEN AFRICA (M. Astatke); from: Mulatu Steps Ahead, Strut 056 (2010)

CALIENTE 61

DAYS OF SUPER 45s OBSESION AND MORE …… AUGUST 21, 2010, 98.3 superfly.fm, 4-6 PM CET … Selected and presented by Alexander Ach Schuh Listen now on play.fm

4-5 PM

(1) Xavier Cugat; OOOH!; 7″ Mercury EP-1-3120

(2) Machito and his Orchestra with Flip and Bird; OKIEDOKE (Hernandez – Machito; 7″ Columbia Clef Series SEB10012, rec. 1948

(3) Benny Bennet; REMINISCENCE (Bennet); 7″ Vogue EPL7434

(4) ESTER FORRERO; MAATANDO CHIVOS (E. Vorero); porro rec. 1953, reissue: Ladies Of Latin, Charly CDHOT 623 (1997)

(5) Junito Sanabria; EL NEGRITO DEL BATEY, 7″

(6) Mario Cavallero et son orchestre typice; PUM-PA-LUM (A. W. Wood); calypso 7″ Odeon SOE3252

(7) Os Brasileiros; ACARICANDO; choro 7″ Parlophone GEP8683

(8) Orqesta Banda Kubavana; A LA QUIMBAMBA (Rirardo Diaz); zamba guaracha, rec. 1958-59

(9) Carlos Campos y su orquesta; OYEME MAMA; 7″ RCA FRANCE 7 EMF144

(10) Orlando Marin and his Orchestra; EL GUAYABERO (Antonio Castro); 7″ Fiesta 45-072

(11) Louie Ramirez; EL CALVO; Remo LPR 1512

(12) Yayo El Indio y su orquesta dirije: Hector Rivera; AHI MISO ESTA (Justi Barreto); 7″ Alegre 45-3082B

(13) Mario Ortiz y su orquesta; YARE YARE; 7″ Remo

(14) Cortijo y su combo; ORIZA (Silvestre Mendez); 7″ Gema 1068-A

(15) Kako y su combo gigante, canta: Julian Llano; DESPIERTA RUMBERO (Luis Cafe); mambo-rumbon, 7″ Alegre 45-3043

(16) The Ralph Robles Octet; MANNY’S JAM (M. Rodriguez); from: Caliente Brass, Audio Fidelity Sterodisc 6156

(17) Eddie Palmieri; QUE SUENE LA ORQUESTA; descarga mozambique from: Tico 1126

(18) Mongo Santamaria y La Lupe; CANTA BAJO (Pat Patrick); from: Mongo y La Lupe, Fantasy (1963)

5-6 PM

(19) Randy Carlos; LIGHT GREEN; 7″ Fiesta 45-107

(20) Pedro Miguel; PIRHANA (R. Carlos); 7″ Odeon

(21) Zambrano; GUAJIRA GOGO (C. Palomares); 7″ Dinsa 894

(22) Tito Chicoma; SALSA MAJOR; 7″ Discos del Puerto 123-B

(23) Ernie Agosto y la Conspiracion; LA CULPA; form: Cada Loco Con Su Tema/Different Strokes, Vaya (1974)

(24) Willie Colon; GHANA’ E (W. Colon – H. Lavoe); 7″ Fania

(25) Sonora Lucho Macedo; DESCARGA MACEDO; 7″ Virrey

(26) Tambo vol. 1; GONE CITY (Chico O’Farill); from: Al Santiago presents Tambo Vol.1

(27) Mongo Santamaria; FUNK DOWN (William Allen); from: Afro-Indio, Vaya

(28) Clare Fischer; NOVIOS (Clare Fischer); (02:40 min) from: Machacha, MPS Records (1980)

(29) Mulatu Astatke with the Either/Orchestra; I FARAM GAMI I FARAM (Astatke); from: Mulatu Steps Ahead, Strut Records 056 (2010)

(30) Steve Berrios and Son Bacheche; DALE (Edde Bobbe); from: First World, Milestone, Fantasy (1995)

(31) Patato; A LOS PIANISTAS (Carlos Patato Valdes); (07:31 min) from: Masterpiece, Messidor (1993)

(32) Rudy Calzado canta: Pio Leyva; TUMBA LA CANA (R. Calzado); (03:38 min) from: Rudy Calzado presenta La Muica Tipica De Cuba, Connector Music

(33) Jerry Gonzales & The Fort Apache Band; OBSESION (P. Flores); (08:00 min) from: Moliendo Cafe Coffee Rumba, Alfa Records (1992)